Wednesday, 28 December 2016

Filming Day Overlook: Day 4- Liverpool 1890's & Present Day


Today we filmed in Liverpool. Soon I'll post today's Vlog showing you how things were like behind the scenes but in this quick overview I'm just going to talk about how I think the day went.
So we started by going down to Saltney Street which is close to the old docks and industrial buildings that made up Liverpool's info-structure in the Victorian times.
We started at 9:00 am and after meeting up with everyone and getting changed we started blocking out the scene and begun filming.

Overall I think the 1890's segment went very well. It was a challenge to figure out proper choreography and to match that with the lip syncing to a high enough quality of the other time periods. 
I think this section went very well considering the time we put into it. 
And after looking over the footage again it's clear it is and won't be in need of any re-shoots in the future.



After 1890 was filmed we had lunch and made our way down to the Albert Docks, by the Echo Arena where at night we filmed the final time period of the video.
This single shot (As seen below) was very well done and I am quite proud of the framing we achieved with the wheel silhouetting me in the background before I put on my hood and move on.



(We unfortunately haven't had the chance to include the Present Day section to the final video but above is a GIF I have made of the independent section)

Vlog: Filming Day 4- Behind the Scenes (Liverpool)



Today's Footage


0:00- 1890
1:27- 1930
1:50- 1950
2:22- 1970


Wednesday, 21 December 2016

Last minute Schedule changes

Unfortunately the Pocket Watch I owned has been misplaced and we only realised this on our filming day intermission yesterday.
So we quickly sorted out getting our hands on an new one  and while we wait for postage, I made adjustments to the timetable.
With Moreton (1930 & 1970) being refilmed we have time to edit and plan what further improvements could be made.

Here is the new schedule for filming (Due to the Christmas Holidays and January Collage Mocks it has been hard to plan for days in the week to meet up)

Wednesday 28th of December- Liverpool 1890's & Present Day
Saturday 7th of January- Moreton Re-shoots
Saturday 14th of January- Green Screen Day
Saturday 21st of January- Moreton 1970's & Green Screen Day

Tuesday, 20 December 2016

Filming Day Overlook: Day 3- Moreton 1970's & 1930's Re-shoots

Today my group and myself re-filmed both the 1970's & 1930's segments that we decided needed redoing.
1970 went very well and I was able to work on the performance and lip syncing a lot (However there are one or two establishing shots we feel could be redone but sadly ran out of time to do them today so we plan to spend only a quick re-visit later on to finally finished this segment.)



However I felt like the 1930 segment could be greatly improved if we tried to re-film the entire section and try to improve the lighting and lip syncing.
This also gave us the opportunity to make a last minute adjustment to the costume by adding large glasses, fashionably similar to one worn by Ronnie Kray, an actual and infamous crime boss.





Overall I think today went very well, the redoing of 1930 was such a good idea as the lighting and costume are both now vastly Superior to their predecessor.  

(Due to the fact today was purely a day of re-shoots, there wasn't anything new that I felt would be needed to show you via Vlogs, it was a ordinary shoot in the same locations as Day 1)

Saturday, 17 December 2016

Filming Day Overlook: Day 2- Port Sunlight 1950

Today I just filmed the 1950's segment for our music video, 'The Greaser' section as our group started to refer to it as.
It was an extremely successful and although we ran into a small delay and last minute location change, due to a cycling club being present we decided to film further down the road with the neighboring building. (This weeks Vlog will elaborate)



Next we aim to re-film several shots for both the 1970's and 1930's section.

Vlog: Filming Day 2- Behind the Scenes (Port Sunlight)



Today's Footage


1:28- 1950




I think the 50's segment went extremely well and doesn't need any major revisits like 1930 and 1970. I feel like today was a very successful day of filming.
(The only slight addition that I feel needs to be done for the 50's is for us to adjust the colour grading to give it a retro '1950's' Neon glow and bright effect)

Thursday, 15 December 2016

Project Timeline: #3 Filming Schedule Latest Update

There's been a slight complication to the filming schedule...


Certain members of the group are unable to make Tuesday but are now able to film on Wednesday. And as the props and some of the costumes that we've ordered for the Victorian era apparently won't arrive until the 18th of December.
So I have had to quickly re-adjust the timetable accordingly.

Previous Schedule:
Saturday 17th of December- Go to Port Sunlight to film the 1957 scenes
Monday 19th of December- Go to Liverpool to film the 1897 and 2017 scenes
Tuesday 20th of December- Re-shoots day 1
Thursday 22nd of December- Re-shoots day 2


New Schedule:
Saturday 17th of December- Go to Port Sunlight to film the 1957 scenes
Monday 19th of December- Re-shoots day 1
Wednesday 21st of December- Go to Liverpool to film the 1897 and 2017 scenes
Thursday 22nd of December- Re-shoots day 2

Panic over- we're back on track and the schedule has been sorted.


Saturday, 10 December 2016

Filming Day Overlook: Day 1- Moreton 1970 & 1930

Today my group and I filmed the first two time periods scheduled.
1930 and 1970 as I've previously mentioned were going to be filmed first.

At the end of the week you'll be able to see the Vlog that I made during filming to give you a good idea of what things where like behind the scenes. 
Overall I feel like the day went very well, we first filmed the 1970 section and despite on set difficulties and lip syncing issues we were able to complete the entire section. 



After that we went to Oliver's house and begun to set up the set for 1930. I got changed out of the 70's costume and into the 30's suit. I gelled my hair back and got ready to film. Lighting the interior in a way that would look good on camera.



After a long day of shooting we all discussed the preparations we would need for our next day of filming, 1950. 

Filming Day Overlook: Day 1- Moreton 1970 & 1930



Today's Footage


We returned to the footage we filmed and edited together.
Note- only the 1930 and 1970 segments are edited so to see these segments go to the time codes listed below-

1:07- 1930
2:01- 1970



Upon reviewing the content I've noticed there still are a few problems with lip syncing, performance and lighting so I've discussed it with the group and I have made a list of all the shots we think need redoing and plan to correct them on our re-shoot day.

Tuesday, 6 December 2016

The Green Scene Day

As you may have seen on the project timeline and filming schedule, we intend to do a Green Screen Day. This will be for our dance section and special effect walk we intend to attempt where our protagonist will walk from one end of the screen to the other while transitioning from each time period.

I see this section as being the combination of all the time periods all taken out of their original time period and put together in this blank white world where he performs and dances to the song's musical section. Then when the merging of the time periods is complete it will cut to blank as the song finally finishes (a strong contrast to the white) And then it will seamlessly transition to the Present day, after showing all the criminals of the past we see what he has become today before he walks off camera to continue his roguish life- emphasising the endless conflict the Cops and Robbers will always have.


Monday, 5 December 2016

Project Timeline: #2 Filming Schedule (& Edited Schedule)

Now that we have a very good idea of what song we're doing; and decisions of locations, costumes, props and performers have been finalised; I thought it would be important to start planning out the dates in which we will begin filming.


Saturday 10th of December- Go to Moreton to film the 1937 and 1977 scenes
Sunday 11th of December- Go to Liverpool to film the 1897 and 2017 scenes

Saturday 17th of December- Go to Port Sunlight to film the 1957 scenes
Sunday 18th of December- Fill in day to return to locations that we didn't finish filming




(Edit- 7th of December)

After talking with the group more we've decided that shooting in the Christmas holidays would be more practical than trying to meet up on a Sunday.
So this is the new updated schedule.



Saturday 10th of December- Go to Moreton to film the 1937 and 1977 scenes
Saturday 17th of December- Go to Port Sunlight to film the 1957 scenes
Monday 19th of December- Go to Liverpool to film the 1897 and 2017 scenes
Tuesday 20th of December- Re-shoots day
Thursday 22nd of December- Green Screen day

(You may see here that there's mention to a 'Green Screen day'- it is our last segment of filming that we intended to do and is a very recent development, but there will be a post tomorrow explaining it in full detail)


Saturday, 3 December 2016

Example of My Target Audience

It is important to know when making any form of media intended for the public to know who that audience is.
Back in November I did an Audience Questionnaire to ask where people most commonly consume Popular music which informed me how people stay up to date with the latest songs and videos.



As my Music Video is a Pop Rock song it is most likely to be well received by teenagers and young adults due to this genre and as the lead performer in my video (Myself) is of similar age, it will mean it appeals to this audience type.




It also features multiple time periods which might cause naustauga in older audience members who might personally remember living in those times. The use of time periods might also further encourage younger viewers to watch and enjoy it as it might remind them of very popular shows like Peaky Blinders, Train Spotting and imagery from those times.


Thursday, 1 December 2016

Planning for: Props



A task that I have given myself for planning for this video is trying to establish very quickly how our protagonist is the criminal of the song. So I have been thinking how to easily establish without any dialog or any complicated actions and I've found that using props will be the best way to help portray these ideas.


1890

Victorian Cigarette




Although at the time smoking was completely normal in Victorian society it is usually assumed that modern audiences would interpreted, aided by the loitering and untrusting outfit that he is the potential criminal. This is quite a heavy stereotype but throughout our music video we need to portray his 'villany' in a quick and easy to follow matter so by using these types it quickly gets the message across 




Pocket Watch





Our music video has a segment set in the late Victorian era. To show that the main character is actually a crook, we felt we needed to feature a crime. Since the song is called 'Cops and Robbers', we felt the crime should be theft. We decided it was best to have our protagonist steel a pocket watch. To save on costs, we decided to use a pocket watch already owed by a member of the group. Unfortunately, the watch is a Dr Who watch, but it is barely noticeable so we are just going to use it.


Cane

We are thinking about maybe having a cane in our video, since it gives something else for the character to do. We were initially planning on having the character spinning around an old lamppost, however we do not appear to have any old lampposts at any of our locations so we may have our character spinning around a cane. He would also be able slam it on the floor in time with one of the sounds in the song.

1930
Gun


We would like to have our 'mob boss' character loading a gun in his scene. We have access to a prop based on an M1911 which looks similar to the pistols found at the time. The only issue is that the barrel is orange, but we can easily fix that by painting it black.

1950
Flick Comb

For the 50's period of our production, we are going for the 'greaser' motif. This was, inspired by the film Grease, it made sense for our character to appear obsessed with his appearance. The best way to do this, as depicted in Grease, is to use a comb. Since we are saying this character is a criminal, we thought a flick comb was a good idea since it can appear thuggish (the audience will believe it is a knife) and then innocent, adding comic relief to the video, fitting the tone of the song.


1970
Beer Can





In the 70's section we wanted a different way to show that our protagonist is the criminal of the song so we decided to have him be drinking in public in the middle of the day which is usually thought to be socially frowned on and as he goes to perform the rest of his song he litters, throwing it away with no regards for the local neighbourhood.  


Wednesday, 30 November 2016

Planning for: Costume

So here are the many elements of the wardrobe that have been finalized. Previously you have seen the research I have done going into all the different time periods and trying to find common trends in the separate eras- and this post will give you an overview of all the costumes I will be using on screen, based on familiar archetypes of the decade.


1890



For every era we've used a familiar archetype of the time. For 1897 the character we've chosen to use Tom Shelby's 'look' from the TV show 'Peaky Blinders for reference. In the show he plays a similar role of criminal behaviour so I think he is a good source to refer to. 

A flat cap in a delivery boy style- which was popular around that time and the audience will without prompting be able to infer that the character is either old fashioned or they have traveled back in time to an older era. This style of hat is commonly associated with the middle and lower class of the Victorian era rather than the classical hot hat stereotypically worn by wealthy people.


A long Black trench over coat- This is suitable as the iconic Old Fashioned Victorian is infamously known for their long trench coats. Not only does it add another layer of complexity to the outfit, it also give a sense of sophistication that modern audiences relate to people of that time having with their 'fancy' canes, pocket watches and long trench coats. Even though the character himself in his time would be considered thuggish.

Underneath the trench coat, we'll have a grey suit (jacket and pants) that is in keeping with the dark monotone colours. But the grey of the suit, along with the grey of the flat cap will continue to make the overall outfit look murky and impure in the same way the character's criminal acts separate him from all the other

rich black suits
Like I just mentioned before, this adds an element of sophistication that we are biased to by seeing people in suits- by seeing him they will presume he is well educated, intelligent and well spoken. (Something the audience of Pop music would be familiar with)



And finally he'll be wearing black dressing shoes to finish off the look. They are a little detail and in the overall video probably won't even be noticed, but it would be noticed if the effort hadn't been made to make the out match in colour and style. Audience's would expect a complete and immersive costume.
It's like the classic Media production saying when it comes to the high attention to detail being like a good spice in a meal- "You don't notice it if it's there and done right, but you'd notice something wasn't quite right if it wasn't there, even if you didn't know what."




Police Officer




In the 1897 sequence we are planning on also having a Victorian Police Officer to move the Protagonist along (which in turn prompts him to begin singing the entire song)
So initially setting up this relationship between 'Cops and Robbers' is very important for the video as it goes through the ages so I feel that good thought has to be given into his costume.
For a reference we have picked the main character, Kevin Corcoran, from the TV show 'Copper'. Note that we're not trying to replicate this outfit to be 100%, I'm just using this character's costume as inspiration and as reference, but for example we'll not be using any jacket for our Copper. 

We're going to give him a brown top hat, a common fashion accessory in those times (that the audience will associate with this time period) and its also in keeping in line with the character in our narrative.

There will also be a brown waistcoat and a white shirt, audiences will again recognize the style of clothing from Victorian times. Once again this is in keeping to audiences' expectations and will help immerse them into the world of the video.




Also to ensure the audience can immediately identify him as a policemen, we'll give him a badge. I think this will help the audience immensely to identify him as the Copper. Unless this is well communicated the rest of the scene may go misunderstood or leave them confused.



Finally brown slacks and dress shoes to finish of the look. As a Police Officer they are in keeping with the audience's expectations of what an intelligent, hard working officer from the 1890's would appear to be.
With the garish bright colours of the waistcoat and top hat, I think it Characterizes this role extremely well in an almost cartoon manner making it easy for the audience to quickly grasp who this character is and his role in the video.





1930



For the 1937 I think that the most iconic 'villain' of the decade was the 'Mob Boss' stereotype. The Victorian criminal dressed in a worn down suit and a scruffy hat and coat. This suggests to the audience that he is a rouge like thug. Similarly I intend to play to common tropes of the times to inform the audience. They'll relate the 30's bosses as a well known criminal archetype.  
This is a very common representation and is associate with businessmen, especially organised master minds with the jacket and tie.
The slicked back hair is also an important part of the fashion in those days and will add o the look of the characters age and authority.


So for 1937 I think a slim fit ark blue suit would work best for the scene and character. The colour is dark enough so that it's in keeping with the audience's expectations of criminal master minds back then, but is slightly different and more interesting than the regular black or grey with are the outfits he would have had in the previous scene. And a character like this would want to distinguish himself from any other criminals in the business along with any 'henchmen' he would have that would be expected to wear the regular grunt uniform of black and white suits.
And to match the suit, and the 'mob boss' style of outfits I've picked out a red tie for the main singer to wear. Once again It's not to garish that it breaks the viewers' sense of immersion in the scene but is noticeable enough to make the character stand out from the rest of the regular mob boss characters.



1950


For 1957, I think that the Black Leather Biker is the most recognizable stereotype from the 50's. This look is unofficially the poster boy of the era being popularized by the 'Greaser' trope in films like Grease.






So to complete this look I've thought about what semiotics will be best to communicate the stereotype to the audience. Dark Sunglasses, a black leather jacket, small white t-shirt, blue denim jeans and large black motorcycle boots. These are typically associated with the 50's 



We also have a secondary character for this particular scene. A

We have another character in this period. A man who the criminal threatens. He is supposed to seem like an innocent man of the time. His outfit entails:








A regular shirt

Beige chino style trousers




1970

Image result for mark renton

In the 1970's we are going for a loutish drug addict style look. We have found inspiration in the movie Train Spotting, specifically in the character of Mark Renton. we are making slight changes to the outfit, for example we will be using a completely different style of jacket. We will be using:
A different style flat cap- this type of hat was still very popular in the 70's



A beige Harrington bomber style jacket



A Magna T-shirt
(Magna was a cigarette company popular in the 1970's so it fits the character perfectly)


Light blue jeans
(Representing a more colourful palate that the audience will associate with the 70's- which is usually represented by media as extremely colourful)


Present Day



In the modern day section, we are going for more of a subtle criminal, acknowledging the rising level of cyber-crime. Thusly, we have found ourselves inspired by Elliot Alderson in Mr Robot. The essentials of the outfit are:

A Grey Hoodie
A dark rucksack





Dark jeans
(As it is in keeping with the idea of the dark outfit that he uses to blend in places especially at night time)

Tuesday, 29 November 2016

Planning for: Location

Here I'm going to be talking to you about the final agreed upon Locations for each time period.
(To give you a better idea of where the scenes will be filmed we used Google maps to show you where it is situated)
- In chronological order:


1890

Liverpool Industrial Area





For the Victorian era we think that the old industrial buildings would be an ideal area. Liverpool has many old factory buildings (some that were even built in the actual Victorian times) so the bricked structure of the walls will look authentic and well aged as the clay red-brown has faded significantly. And this kind of background and red-brown bricks are often associated with Victorian times making it easily recognisable to the audience. As we've found out in my research into Pop music, they rely heavily on quickly reliable and recognisable archetypes.  So by playing to their expectations of what a 1890's scene would look like I think this location would be ideal. Not only that the area is usually pretty quiet and remote so we will be able to film without much disturbance.
Making it a great contender for our 1897 section.
So those are the advantages. But as you may probably be able to tell there are some modern day elements at the scene which wouldn't help the authenticity of the scene.
Below you can see in the black boxes of all of the modern day technology that would create a problem for us.





After some thought I have come to the conclusion that due to the modern technology on the sight that trying to shot around it may be an added and unnecessary complication. And I think the fact that this is right next to a main road so even though there wont be many people or cars around, they are more likely to be on this road, this inconvenience would slow us down and take longer to film.
However the image below is on Saltney Street and it is near to the first location and therefor has all the same benefits of the first idea but not being next to a main road means it will be even less busy, noisy and there are hardly any modern technology and the few ones it has will be easily shot around.




1930

Indoors

We felt like we didn't want all of our scenes just to take place outside, as many main stream Pop videos do contain some sort of indoor and outdoor sequence. I think that the 1937 section would best suit the indoors as unlike all the other criminal stereotypes, the mafia and mob boss culture in the media is often associated with the indoors. Originally I offered to have the scene shot at my house, there's plenty of room to house 4 people and film, it can be a quiet working space with little interruptions, but I quickly realised that it was to modern and would feel out of place.



So instead Oliver volunteered his own house. It is a more traditional house than mine with ideal wallpaper, making it feel like it could actually be from the 1930's. It also has the advantages of being as quiet and easy for all of us to get to.




1950


 Port Sunlight Train Station

For the 1950's I think we need similar brickwork to the Victorian times but not nearly as
We will be using the train station at Port Sunlight for the '50s. The station still looks old, but unlike the rest of Port Sunlight it does not look so old as to be more suitable in an earlier time period. The only immediate problem is that there are likely to be cars parked outside and, even if we can get a shot with no cars in it, there may be cars reflected in the windows.


1970

Moreton



Sedgefield Road, Moreton, is a very ideal place to film our 70's section as the pale brown bricks and red fences and semi-detached council houses and storage sheds feel very in keeping with the era. The run down garage doors and brickwork, along with the alleyway (as you can see with these photos) I think really do capture what the audience's common perception of the decade.
It is a quite area and should make filming there an ease. And thanks to the alley we're able to encase ourselves very well within the time period and the claustrophobic nature matches the character's unstable mind state (another common association main stream audiences have with the stereotypical criminals of this time)


Present Day

Liverpool One


When thinking where we could film for our modern day era I tried to think of a place that was easily recognizable with modern day- so lots of integration with technology and modern architecture (metallic structures rather than any sort of brickwork- distinguishing it from the rest of the eras)
I also like the idea that this final sequence could be shot around night time or when the sun goes down. Being winter at the moment this happens at around about five o'clock so it won't be to impractical to organise. I think by shooting at night, especially in a well lit, 'Modern' area, the street lights will emphasize the technological advancements made from the last era.
I think This shot on-top of Liverpool one, and by Chavasse Park would be a great location to meet these requirements. It's also easy to get to, however, the fact that it is a popular area might make filming there a bit of a challenge so it's possible we should think of another location that'll be easier to film in.


The Liverpool Big Wheel

The Big Wheel, near the Albert Docks is another Possibility for the Modern Day section as it's a very familiar land mark and at night the area would be beautifully lighted. As said before Liverpool is easy for us to get to and although some people may be there it's nowhere as busy as Liverpool One. The signal shot we need for Modern day is a close up of the criminal in the hoody as he puts his hood up and walks away from the camera. If poisoned well we could have the wheel perfectly centre in the background adding to the shot.